The sculpture of Venus VI is from a series of Neolithic female figures with strongly and deliberately emphasized erotic morphology; this is underlined by the tension of the glass threads inside the building, in the body space erotic most delicate. The adoration of the woman's cult accompanied the author persistently, from the brutal shapes of the Paleolithic virgins, through the body sensuality of Neolithic Venuses; Graces of the ancient period, to the early gothic phase of the history of glass, when the cult of women materialized in the figures attributed to St. Agnes of Bohemia or crystal clear, the innocence of innocent Virgin Mary - what was certainly influenced by the vigorously cultivated and elevated Marian cult as the ideal of a woman in the Carpathian region, where the author escaped to his artistic and social exile in the late 1960s.
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