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Lubomir Blecha, Object No. Xxii - Venus Vi, 1973, Hand free shaped blown thin-walled Soda-Potash.   Colorless Crystal Glass, Inner Space of Sculpture Interconnected Via Glass Threads, Brass, Base Mounted into Travertine Plinth, H: 88,0 cm, Glassworks Zlatno, Czechoslovakia

UPCOMING PUBLIC EXHIBITION & PUBLIC AUCTION at PRAGUE AUCTIONS

Sculptures of figurative shapes appear in glassmaking of Lubomir Blecha since the early 1960s and are incorporated into the early of Paleolithic history of civilization established on silicon structures. The unusual but authentic imagination of the author confused the espionage of the glass furnace with the womb, viewed the "living" glass as the fundamental bio-mass that glasses through the whistles only help to breathe the soul, but with respect for the birth of sculpture according to its own genetic code. In the mystery of such perceived contemplation, the role of the quash was interchanged and replaced by the activity of the obstetrician or surgeon.

Posted 9 December 2018

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The sculpture of Venus VI is from a series of Neolithic female figures with strongly and deliberately emphasized erotic morphology; this is underlined by the tension of the glass threads inside the building, in the body space erotic most delicate. The adoration of the woman's cult accompanied the author persistently, from the brutal shapes of the Paleolithic virgins, through the body sensuality of Neolithic Venuses; Graces of the ancient period, to the early gothic phase of the history of glass, when the cult of women materialized in the figures attributed to St. Agnes of Bohemia or  crystal clear, the innocence of innocent Virgin Mary - what was certainly influenced by the vigorously cultivated and elevated Marian cult as the ideal of a woman in the Carpathian region, where the author escaped to his artistic and social exile in the late 1960s.              
 
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