The donated collection was gathered by the Levines over a period of two decades. Comprising works from the entire range of Duchamp's artistic output, this selection demonstrates Duchamp's influence on the development of art over the past century. Timed to the 50th anniversary of the artist's death, this gift will transform the Hirshhorn's Duchamp holdings from a single, late sculpture into one of the most important, in-depth institutional collections of his work in the U.S. The promised gift will also coincide with an exhibition examining the artist's artistic evolution opening fall 2019.
In addition to the artworks that will enter into the museum's collection, the Levines are also donating their library of more than 150 books on Duchamp, dating from the late 1930s through the present. Among the volumes are a number of first editions, rare catalogs and ephemera. Together, the artworks and texts will establish the Hirshhorn as one of the foremost Duchamp study centers, making it a vital resource for students and scholars worldwide.
"In the early 20th century, Marcel Duchamp reshaped the definition of what we might consider to be art today, setting the stage for all that followed," said Hirshhorn Director Melissa Chiu. "We are so grateful to the Levines for this significant gift, which will build on the substantial holdings of modern art including Henri Matisse, Alberto Giacometti and Alexander Calder. This gift of artworks will enhance visitors' understanding of Duchamp's incomparable influence on the next generations of artists."
Reflecting almost two decades of thoughtful acquisitions, the Levines' collection spans the entire arc of Duchamp's career and includes examples of every major body of work by the artist. At the core of the collection is an exceptional selection of his iconic ready-mades, including "Hat Rack," "Comb," "Apolinère Enameled," "With Hidden Noise," "L.H.O.O.Q."and "Why Not Sneeze Rose Sélavy," which together demonstrate the ways Duchamp worked to elevate ideas and choices over hand craftsmanship and beauty. This challenge to longstanding conventions is also seen in Duchamp's "Box in a Valise," a masterful compendium of miniature reproductions of more than 60 of the artist's most iconic works, embodying the diversity of Duchamp's artistic originality. Key works on paper, such as "Female Hanged Body," "Study for the Bachelors in the Cemetery of Uniforms and Liveries" and "Nine Malic Moulds," provide unique insight into to Duchamp's working process. Further awareness of his practice is revealed by "The Bride Stripped Bare by Her Bachelors, Even (The Green Box)"and "In the Infinitif (The White Box)," which together contain more than 150 facsimiles of Duchamp's working notes for "The Large Glass," all left loose so that their relationships are determined anew according to the unique choices made by each reader.
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